"Seeing through Race: A Reinterpretation of Civil Rights Photography" (Berkeley: University of California Press, 2011).

"Discourse," Digital C-print from performance and video installation.  Collaboration between E.G. Crichton and Susan Working

Elizabeth Stephens and Annie Sprinkle's Green Wedding to the Earth. This performance took place as part of Intervene! Interrupt! Rethinking Art as Social Practice, May 2008.  Featured in this image are Elizabeth Stephens, Annie Sprinkle, Guillermo Gomez-Pena, and Nina Chase.


SonicSENSE was created by Barney Haynes and Jennifer Parker in 2008 as an expandable and evolving site for art, culture, new technologies, digital media, collaboration, and participation.


SonicSENSE uses the creative diversity of computational media and traditional visual art practices to cultivate space for sharing, questioning, and exploring interdisciplinary frameworks, methodologies, and experiences.

Each exhibition of the platform is a new iteration consisting of a series of mechanical sound sculptures and interactive objects that drive data mined from the internet and biometrics gleaned from the audience.


Link to current exhibition:  http://www.gaffta.org/2011/03/08/transmutations-sound-data-and-mechanics/


Project Website: http://www.sonicsense.net

Frank Galuszka/Mannerist Paintings, a new series

 "Making Settler Cinemas: Film and Colonial Encounters in the United States, Australia, and New Zealand." New York: Palgrave Macmillan, 2010. By Peter Limbrick

The Performing Style of Alexander Scriabin, by Anatole Leikin

Danny Scheie - California Shakespere Theater - Midsummer Night's Dream